Noncourt, Ste Ursule - stained glass
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This stained glass window, very damaged, probably represents the episode of The Incredulity of Thomas the Apostle.
This stained glass window probably represents the episode of The Incredulity of Saint Thomas, taken from the Gospel according to John. This scene is framed by floral and neo-Gothic motifs, and the dominant colors remain red, green and beige, although they are very damaged. In the center, the resurrected Christ is standing, haloed and dressed in a beige or gold drape, in a solemn attitude. In front of him, Saint Thomas, a bearded man, is kneeling, his hands outstretched in a gesture of recognition or supplication. A third character, on the right, surely an apostle, observes the scene. The stained glass window is decorated with neo-Gothic motifs, including trilobed arches and floral arabesques. These decorative elements aim to reinforce the sacred character of the work and to integrate it harmoniously into the architecture of the church.This stained glass window probably represents the episode of The Incredulity of Saint Thomas, taken from the Gospel according to John. This scene is framed by floral and neo-Gothic motifs, and the dominant colors remain red, green and beige, although they are very damaged. In the center, the resurrected Christ is standing, haloed and dressed in a beige or gold drape, in a solemn attitude. In front of him, Saint Thomas, a bearded man, is kneeling, his hands outstretched in a gesture of recognition or supplication. A third character, on the right, surely an apostle, observes the scene. The stained glass window is decorated with neo-Gothic motifs, including trilobed arches and floral arabesques. These decorative elements aim to reinforce the sacred character of the work and to integrate it harmoniously into the architecture of the church.
This stained glass window probably represents the episode of The Incredulity of Saint Thomas, taken from the Gospel according to John. This scene is framed by floral and neo-Gothic motifs, and the dominant colors remain red, green and beige, although they are very damaged. In the center, the resurrected Christ is standing, haloed and dressed in a beige or gold drape, in a solemn attitude. In front of him, Saint Thomas, a bearded man, is kneeling, his hands outstretched in a gesture of recognition or supplication. A third character, on the right, surely an apostle, observes the scene. The stained glass window is decorated with neo-Gothic motifs, including trilobed arches and floral arabesques. These decorative elements aim to reinforce the sacred character of the work and to integrate it harmoniously into the architecture of the church.
