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icone-photo Maxey, church - stained glassicone-photo

Maxey, church - stained glass (I)

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Church of the Assumption of the Virgin

This stained glass window with two lancets shows Saint-Pierre-Fourier on the left and probably Saint-Remi on the right.

This stained glass window with two lancets shows on the left Saint Pierre Fourier, dressed in a black cassock. On the right stands Saint Remi, identifiable by his episcopal attributes: the crosier and the mitre. The upper part is decorated with flamboyant and geometric Gothic motifs, while colored cartouches enrich the whole. The stained glass window follows the style of the neo-Gothic of the 19th century, as evidenced by the ornamental richness of the geometric and floral borders. The composition uses a perfect symmetry between the two lancets, respecting the codes of classical stained glass windows. The dominant colors are red, blue and green.
⤵ Voice transcription

This stained glass window with two lancets shows on the left Saint Pierre Fourier, dressed in a black cassock. On the right stands Saint Remi, identifiable by his episcopal attributes: the crosier and the mitre. The upper part is decorated with flamboyant and geometric Gothic motifs, while colored cartouches enrich the whole. The stained glass window follows the style of the neo-Gothic of the 19th century, as evidenced by the ornamental richness of the geometric and floral borders. The composition uses a perfect symmetry between the two lancets, respecting the codes of classical stained glass windows. The dominant colors are red, blue and green.

This stained glass window with two lancets shows on the left Saint Pierre Fourier, dressed in a black cassock. On the right stands Saint Remi, identifiable by his episcopal attributes: the crosier and the mitre. The upper part is decorated with flamboyant and geometric Gothic motifs, while colored cartouches enrich the whole. The stained glass window follows the style of the neo-Gothic of the 19th century, as evidenced by the ornamental richness of the geometric and floral borders. The composition uses a perfect symmetry between the two lancets, respecting the codes of classical stained glass windows. The dominant colors are red, blue and green.


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