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icone-photo Mandres/Vair, church - stained glassicone-photo

Mandres/Vair, church - stained glass (I)

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Saint-Maurice Church

This abstract stained glass window is composed of two main lancets decorated with simple geometric shapes.

This abstract stained glass window from the Saint-Maurice church in Mandres-sur-Vair is composed of two main lancets decorated with simple geometric shapes: rectangles, triangles and semicircles. The color palette is bright and lively, with dominant blue, red, yellow and orange. Each glass pane is textured, creating variable plays of light depending on the solar intensity. The arrangement of the shapes is asymmetrical but maintains a visual balance through the distribution of colors and oblique lines. At the top, a rounded part and a central medallion structure the composition and mark the transition to the top of the window.
⤵ Voice transcription

This abstract stained glass window from the Saint-Maurice church in Mandres-sur-Vair is composed of two main lancets decorated with simple geometric shapes: rectangles, triangles and semicircles. The color palette is bright and lively, with dominant blue, red, yellow and orange. Each glass pane is textured, creating variable plays of light depending on the solar intensity. The arrangement of the shapes is asymmetrical but maintains a visual balance through the distribution of colors and oblique lines. At the top, a rounded part and a central medallion structure the composition and mark the transition to the top of the window.

This abstract stained glass window from the Saint-Maurice church in Mandres-sur-Vair is composed of two main lancets decorated with simple geometric shapes: rectangles, triangles and semicircles. The color palette is bright and lively, with dominant blue, red, yellow and orange. Each glass pane is textured, creating variable plays of light depending on the solar intensity. The arrangement of the shapes is asymmetrical but maintains a visual balance through the distribution of colors and oblique lines. At the top, a rounded part and a central medallion structure the composition and mark the transition to the top of the window.


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