Attignéville, church, stained glass
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In the center of the stained glass window stands Saint Joseph, husband of Mary.
At the center of the stained-glass window, framed by a rich mandorla of white pearls and floral motifs, stands Saint Joseph, the husband of Mary and foster father of Jesus. He is dressed in a golden cloak, enhanced with a dark border, covering a purple tunic. A blue halo encircled in gold signifies his holiness. He holds a stem of white lilies in his hand. The peripheral decoration is a structured floral composition, alternating cornflowers, stylized poppies, and foliage, within a regular geometric frame. The background, a grid of diamonds on a white background, evokes 19th-century stained-glass tracery.At the center of the stained-glass window, framed by a rich mandorla of white pearls and floral motifs, stands Saint Joseph, the husband of Mary and foster father of Jesus. He is dressed in a golden cloak, enhanced with a dark border, covering a purple tunic. A blue halo encircled in gold signifies his holiness. He holds a stem of white lilies in his hand. The peripheral decoration is a structured floral composition, alternating cornflowers, stylized poppies, and foliage, within a regular geometric frame. The background, a grid of diamonds on a white background, evokes 19th-century stained-glass tracery.
At the center of the stained-glass window, framed by a rich mandorla of white pearls and floral motifs, stands Saint Joseph, the husband of Mary and foster father of Jesus. He is dressed in a golden cloak, enhanced with a dark border, covering a purple tunic. A blue halo encircled in gold signifies his holiness. He holds a stem of white lilies in his hand. The peripheral decoration is a structured floral composition, alternating cornflowers, stylized poppies, and foliage, within a regular geometric frame. The background, a grid of diamonds on a white background, evokes 19th-century stained-glass tracery.
