Liffol, church - stained glass
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This stained glass window shows two Saints, one as a martyr and the other in prayer, difficult to identify without other attributes. If you recognize them, please do not hesitate to contact us, thank you.
This stained glass window features two richly decorated main lancets, adorned with floral and geometric motifs in the neo-Gothic style. The windows are framed by arabesques and six-pointed stars, associated with colored rosettes. The upper part is surmounted by a decorative quatrefoil with a stylized or heraldic floral motif. The geometric network of the stained glass window is composed of repetitive motifs (stars and fleurons) that punctuate the composition. On the left: A Saint with a martyr's palm, difficult to identify without other attributes, as on the right: A Virgin or a Saint in an attitude of prayer The bright colors, particularly red, green and blue, are characteristic of stained glass workshops at the end of the 19th century. The use of grisaille and silver yellow makes it possible to mark the contours and details of faces and clothing.This stained glass window features two richly decorated main lancets, adorned with floral and geometric motifs in the neo-Gothic style. The windows are framed by arabesques and six-pointed stars, associated with colored rosettes. The upper part is surmounted by a decorative quatrefoil with a stylized or heraldic floral motif. The geometric network of the stained glass window is composed of repetitive motifs (stars and fleurons) that punctuate the composition. On the left: A Saint with a martyr's palm, difficult to identify without other attributes, as on the right: A Virgin or a Saint in an attitude of prayer The bright colors, particularly red, green and blue, are characteristic of stained glass workshops at the end of the 19th century. The use of grisaille and silver yellow makes it possible to mark the contours and details of faces and clothing.
This stained glass window features two richly decorated main lancets, adorned with floral and geometric motifs in the neo-Gothic style. The windows are framed by arabesques and six-pointed stars, associated with colored rosettes. The upper part is surmounted by a decorative quatrefoil with a stylized or heraldic floral motif. The geometric network of the stained glass window is composed of repetitive motifs (stars and fleurons) that punctuate the composition. On the left: A Saint with a martyr's palm, difficult to identify without other attributes, as on the right: A Virgin or a Saint in an attitude of prayer The bright colors, particularly red, green and blue, are characteristic of stained glass workshops at the end of the 19th century. The use of grisaille and silver yellow makes it possible to mark the contours and details of faces and clothing.
