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icone-photo Liffol le petit, church - stained glassicone-photo

Liffol le petit, church - stained glass (I)

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Saint-Rémy Church

On this stained glass window we observe two religious figures, on the left Saint Pierre Fourier, and on the right probably Saint Vincent de Paul.

The stained glass window is composed of two main registers, separated by columns decorated with gilded capitals and topped with semicircular arches. The upper part presents classical decorative elements: vases, urns, and a basket of flowers symbolizing spiritual fertility. In the lower register, we observe two major religious figures: on the left Saint Pierre Fourier, identified by the inscription in his halo, and on the right Saint Vincent de Paul, holding a child in his arms. The richly decorated red background serves to highlight the sacred dimension of the figures and to detach them from the architectural setting.
⤵ Voice transcription

The stained glass window is composed of two main registers, separated by columns decorated with gilded capitals and topped with semicircular arches. The upper part presents classical decorative elements: vases, urns, and a basket of flowers symbolizing spiritual fertility. In the lower register, we observe two major religious figures: on the left Saint Pierre Fourier, identified by the inscription in his halo, and on the right Saint Vincent de Paul, holding a child in his arms. The richly decorated red background serves to highlight the sacred dimension of the figures and to detach them from the architectural setting.

The stained glass window is composed of two main registers, separated by columns decorated with gilded capitals and topped with semicircular arches. The upper part presents classical decorative elements: vases, urns, and a basket of flowers symbolizing spiritual fertility. In the lower register, we observe two major religious figures: on the left Saint Pierre Fourier, identified by the inscription in his halo, and on the right Saint Vincent de Paul, holding a child in his arms. The richly decorated red background serves to highlight the sacred dimension of the figures and to detach them from the architectural setting.


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